Originally Posted by
RythmikAudio
Now when it comes to servo, most people will think it is to reduce distortion simply because that concept is simple to understand. But it goes beyond that. One of the area that servo improves is the linear scalability. Databass site publishes curves from 90db all the way to 110db, it serves a purpose. It wants to see how a sub scales with different input level. So if we have a particular 90db FR curve, we want to see in ideal case that when input increases by 5db, the output will simply have 5db added to 90db FR curve. Same thing if the input increases by 10db, 15db, ..etc. Now the best way to check this linear scalability is we can just use 90db as reference, deduct (5db + 90db curve) from the 95db curve, and deduct (10db + 90db curve) from the 100db curve,...etc and all these plots form a so-called "output compression magnitude plot". If a system is perfectly linearly scalable, all these normalized curves will be on top of one another and be 0db. But in reality, the measurement will inevitably pick up noise in one or two measurements. That can cause it to have deviation on one or two curves. It is important to check the tend. Our FV15HP shows the best output compression curve that any sub can see (even better than Velodyne DD-18). The plot of 1 port mode shows the curves are in an extreme tight range above 30hz. The entire band of curves do move up and down because the noise in the 90db measurement curve has moves every other curves up and down at the same time.
So why is this important? Music is dynamic and constanly changing its signal strength. The ability to maintain linearity throughout the entire signal strength range is the first key to high fidelity. In non-servo, the problem is so serious that engineers just cross their fingers and hope for the best. On the other hand, servo completely solves this problem. Moreover, one reason nonservo subs have these problems is because the voice coil temperature can change after we put in that 100W to 600W power to the voice coil. When the temperature goes up, so is the voice coil resistance and that chokes the amount of current going to the driver even when the amplifier output stays the same. Unortunately voice coil temperature does not cool down instantaneously. That becomes a memory effect. We all see how a pressure on a memory foam will leave an imprint that takes time to recover. Same thing is heating up the voice coil. So why is this important? Same linear scalability needs to apply to time domain as well(vs in the domain of the signal strength as discussed above). If we measure a 90db curve A at time moment 0, we expect the same 90db curve to be repeatable at any other time. This seems to be very easy. But later we will see how much better our servo subs perform. The way to test this is Josh will publish two 90db curves in the "long term output compression" plot. The first 90db curve is what he normally runs. The second 90db curve (labelled as 90db REPEAT) is done as soon as he finishes the highest SPL sweep (after the voice coil heats up). Our sub is the only sub that has those two curves almost identical. It is not because of luck. It is because of servo operation. The problem of memory effect is that if we have notes A, B, C, and D. The sequence of these notes can change the strength of each because the power burnt by each note will affect the output of subsequent notes up to some time. It is a type of distortion. Our subs will sound more realistic because it is linear scalable on both signal and on time. The sequence of notes does not affect the playback strength of each note. You can play ABCD or DCBA and each A will have the same strength. That is the coherance we want.